Relationship Between Feminism And Fashion Cultural Studies Essay

Relationship Between Feminism And Fashion Cultural Studies Essay During this essay I am going to discuss fashion and feminism and the question, can you be a feminist and still be fashionable? I am going to discuss and compare different arguments on the relationship between feminism and fashion. When most people hear the word feminist they automatically draw up a conclusion of tough looking women with short hair, mannish clothes and no bra. The reality is any women can be a feminist whether a school teacher, business women, model or porn star. When feminism first came about during the nineteenth century the main focus was for equal rights for men and women. During this time feminists managed to grant the right for women to vote as well as getting more equal rights in education and the workplace. Although this wave was massively important in equal rights for women there was still a lot of issues unresolved, especially unofficial inequalities. This is where the second wave of feminism comes in. The second wave of feminism, beginning in the 1960s, was concerned with full social and economic equality. During this wave feminists encouraged women to look into aspects of their personal lives and the structure of power. The Feminine Mystique by Betty Friedan was and still is regarded as one of the most influential books of the 20th century paying great detail to suburban housewives and how unhappy they were, Each women thought she was alone, it was her personal guilt if she didnt have an orgasm waxing the family-room floorà ¢Ã¢â€š ¬Ã‚ ¦no matter how much she had wanted that husband, those children, that split level suburban house and the appliances thereof, which were supposed to be the limits of womens dreams in those years after World War II, she sometimes felt the longing for something more. (Friedan, 1963: Chapter 2) The last wave of feminism, the third wave, which started in the 1990s and still affects us today. This wave has two cultures, the first believes all advertisement, media, photography, showing women in a sexual way should be banned. The second believes women are allowed to wear what they want and act as they please and still be highly successful both in the home and workplace. Above is a photograph taken from a collection of photographs for an advertisement campaign by the designer Tom Ford from his Spring/Summer 2008 collection. Tom ford is known for his more provocative advertisement campaigns and for this particular campaign he collaborates with photographer Terry Richardson to feature a collection of photographs featuring both male and female models partaking in different activities, the majority of these done in the nude; more often than not it is the female models that are the naked ones whilst the men are fully clothed dressed in smart, dapper suits. In Italy these advertisements were actually banned for being sexually implicit (Eswaran, 2008)and the IAA (Italian Advertising Institute) said about them that they were Deeply vulgar and went beyond bad taste to actually offend the publics sensibilityà ¢Ã¢â€š ¬Ã‚ ¦it does beyond acceptable limits for advertising (Eswaran, 2008)and concluded by saying how the advertisements are an offensive gesture whic h insults women and the dignity of all.'(Eswaran, 2008) The photograph above shows a naked woman ironing a mans trousers, a typical household chore which is stereotyped as a womens job, whilst he stands around waiting for her to finish whilst reading a newspaper. When the advertisements first appeared it sparked a whole new debate on the misogynistic, hatred for women, representations of women. Feminists viewed the photographs as shocking and extremely sexist. Many a comment has also been made on how they represent the post feminism culture in which feminism acts have been weakened by popular culture such as fashion, music and the media. Figure Two. Tom Ford Advertisement S/S 2008 Above is another photograph from the same campaign in which a female model is made to look much like a blow up sex doll. It is also interesting to see how you cannot see her as a whole person, but just certain body parts, making her more to be an object than an actual human being. Now although these images were highly credited as being extremely sexist, one blogger stated how they hate the ones with the naked women being stared at by clothed menthat bothers me.'(Fairy glamour, 2008) and another stating that they are both tasteless and gratuitous (Edanya, 2008) they can also be looked upon in the eyes of the third wave of feminism in which women are allowed to wear what they want and act as they please and still be highly successful both in the home and workplace. Angela McRobbie backs up this idea but saying how feminist views are rather out-dated and the modern women enjoys the freedom of her sexuality and gets the joke (McRobbie, 2007: 33) seeing sexism as almost ironic. Whilst Natasha Walter author of Living Dolls: The return of sexism states that, Since the idea has taken hold that women and men are now equal throughout society, it is seen as unproblematic that women should be relentlessly encouraged to prioritise their sexual attractivenessà ¢Ã¢â€š ¬Ã‚ ¦this is a free choice by women who are in all other ways equal to men. (Walter, 2010: 119) Looking at Tom Fords Spring/Summer 2010 advertisement he has done much of the same thing showing a completely naked woman alongside a fully clothed man. The bad press around the 2008 campaign could not have affected him that much if he has gone on to do much of the same thing again. Maybe they are meant to be viewed as a light hearted tongue in cheek joke rather than a misogynistic representation of women. Figure Three. Dolce and Gabbana Advertisement S/S 2010 Above is the next image I am going to discuss, taken from the Dolce Gabbana Spring/Summer 2010 campaign featuring Madonna. The images, which were shot by photographer Steven Klein, are a series of photographs of the celebrity in a domestic setting carrying out daily tasks such a cleaning. A whole article on Madonna.com is dedicated to the photographs and the inspiration behind them. They talk about the campaign and the reason behind the choice of shoot, describing it as showing the iconic depictions of strong, tender and naturally beautiful women. (Milan, 2009) The article goes on to say, The intention of Dolce Gabbana is to recapture a womens human side, showcasing through these images how a womens femininity and sensuality can be found through the simplicity of daily gestures along with a passion for life. The new Dolce Gabbana campaign encourages a woman to cast aside fears of showcasing her femininity because it is where her true beauty resides. (Milan, 2009) Comments, made by Madonna fans, after the article read such things as really sensual and hot (Maverick78, 2009) and wow Madonna looks fabulous in the photograph a rustic charm (Lumb1, 2009). No one has seemed to have picked up on the fact that Madonna is in fact carrying out chores stereotyped to be a womens work and in fact appears to be representing everything feminism is against. This is because followers of fashion, whether a feminism or not are looking at the clothes she is wearing rather than the poses she is adapting. A caption from a website reads, Beautifully dressed and following the Italian family theme of the campaign, la Donna is giving her lowdown on how to wear unique tailored clothing at all occasions even the most unexpected ones. Indeed, you never know who will ring at the door while you are tidying up the house. Always prepared, always glamorous, as shown by Madonna, femininity and sensuality do not belong to specific time slots: it is a permanent state of dressing. (swide, 2010) Therefore it could be argued that, like the Tom Ford advertisement, this Dolce Gabbana one is simply a tongue in cheek take on feminism and the modern women, even taking Betty Friedans orgasm waxing the family-room floor (Friedan, 1963: Chapter 2) comment a little too literally. I am now going to move onto even more present day and the pop stars many of us idolise. Figure Four. Lady Gaga Telephone Video 2010 Figure Four. Lady Gaga Rolling Stone Cover 2010 Both of the above photographs are of current pop star Lady Gaga. Gaga is one of the biggest selling pop stars of the moment and idolised by girls, women, boys and men.The first photograph is a still from her music videoTelephone, official music video. The video starsthe pop star dancing around in not much clothing and acting provocative; parts of the video were in fact censored for more appropriate day time viewing. Gagas police caution tape costume, if you can call it that, was designed by L.A based designer Brian Lichtenberg. Although this costume can be viewed as shocking and shows women as more an object to stare at, an object of desire even to men, than a human being this outfit could also be seen as simply a way of self-expressionism. An interview between an editor of online Britannica encyclopedia and Philosopher Nancy Bauer talks about whether Gaga is in fact seen as a feminist figure. Bauer says of Gaga that, Lady Gaga strikes her fans as a liberating force: she seems to be able to transform what people ordinarily find oppressive into an opportunity for self-expression. You might say shes a specialist in the art of rack focus: she knows how to get a viewer to look at very familiar things in new and sometimes surprising ways. An obvious example is her outfitting herself in nothing but carefully placed police tape in the Telephone video. (Bauer 2010) Bauer also conducted an interview with Gaga herself who calls herself a bit of a feminist'(Bauer 2010) viewing feminists as a woman who is strong and powerful and has high self-esteem (Bauer 2010). The other photograph is from the cover of Rolling Stone magazine. This cover was shot by Terry Richardson, the man behind the Tom Ford 2008 advertisement campaign. Yet again she is dressed in next to nothing, looking very provocative. In the interview that accompanied the front cover she said in answer to one question that she considers herself to be a full on feminist. Bauer interpreted this as Gaga believing that one of being a feminist is to be a strong and powerful woman with high self-esteem is to talk brazenly and dress scantily, or at least in the way she does. (Bauer 2010) So in conclusion to my essay can you be a feminist and still be fashionable? I believe that you can. After all feminism is all about equal rights and women being able to be how they like and do as they please, being an individual. Fashion is an expression of individuality; it is the best way to show case to everyone around you that you are in fact an individual person. The models of the Tom Ford campaign, Madonna and Lady Gaga have not been told to act or dress that way they have chosen to do it, free will. After all fashion is a pleasure, and, I agree with Natasha Walter when she said that, Adult women were now free to choose to embrace aspects of femininity that second wave feminists had once seen as coercive, such as high heels and make-up (Walter, 2010: 129)

The Namesake Quotes

â€Å"On a sticky August evening two weeks before her due date, Ashima Ganguli stands in the of a Central Square apartment, combining Rice Krispies and Planters peanuts and chopped red onion in a bowl. She adds salt, lemon juice, thin slices of green chili pepper, whishing there were mustard oil to add to the mix. † p. 1 ? â€Å"Like a kiss or a caress in a Hindi movie, a husband’s name is something intimate and therefore unspoken, cleverly patched over. † p. 2 ? â€Å"Do yourself a favor. Before it’s too late, without thinking too much about it first, pack a pillow and a blanket and see as much of the world as you can. You will not regret it.One day it will be too late. † p. 16 ? â€Å"He was still clutching a page of â€Å"The Overcoat,† crumpled tightly in his fist, and when he raised his hand the wad of papers dropped from his fingers. † p. 18 ? â€Å"Ashima means â€Å"she who is limitless, without borders. † Ashoke, the n ame of   an emperor, means â€Å"he who transcends grief. † p. 26 ? â€Å"On more than one occasion he has come home from the university to find her morose, in bed, rereading her parents’ letters. Early mornings, when he senses that she is quietly crying, he puts an arm around her, but can think of   nothing to say, feeling that it is his fault, for marrying her, for bringing her here. p. 33 ? â€Å"For thirty-three years, she missed her life in India. Now she will miss her job at the library, the women with whom she’s worked. She will miss throwing parties†¦ She will miss the country in which she had grown to know and love her husband. Though his ashes have been scattered in the Ganges, it is here, in this house and in this town, that he will continue to dwell in her mind. † p. 279 ? â€Å"When Ashima and Ashoke see their son’s pet named typed on the label of a prescription for antibiotics, when they see it at the top of his immunizatio n record, it doesn’t look right; pet names aren’t meant to be made public in this way. p. 36 ? â€Å"The wives, homesick and bewildered, turn to Ashima for recipes and advice, and she tells them about the carp that's sold in Chinatown, that it's possible to make halwa from Cream of Wheat†¦ They drink tea with sugar and evaporated milk and eat shrimp cutlets fried in saucepans. † p. 38 ? â€Å"Only then, forced at six months to confront his destiny, does he begin to cry. † p. 40 ? â€Å"Mrs. Jones leads a life that Ashoke’s mother would consider humiliating: eating alone, driving herself to work in snow and sleet, seeing her children and grandchildren, at most, three or four times a year. † p. 48 ? For being a foreigner, Ashima is beginning to realize, is a sort of a lifelong pregnancy—a perpetual wait, a constant burden, a continuous feeling out of   sorts. † p. 49 ? â€Å"Each day Ashoke is pained by the half-eaten sand wiches people toss in the garbage cans on campus, apples abandoned after one or two bites. â€Å"Finish it, Gogol. At your age, I ate tin. † p. 55 ? â€Å"The name, Nikhil, is artfully connected to the old one. Not only is it a perfectly respectable Bengali good name, meaning â€Å"he who is entire, encompassing all,† but it also bears a satisfying resemblance to Nikolai, the first name of the Russian Gogol. p. 56 ? â€Å"He is afraid to be Nikhil, someone he does not know. Who doesn’t know him. † p. 57 ? â€Å"For their daughter, good name and pet name are one and the same: Sonali, meaning â€Å"she who is golden. † p. 62 ? â€Å"It doesn’t bother him that his name is never an option on key chains or metal pins or refrigerator magnets†¦ Though substitute teachers at school always pause, looking apologetic when they arrive at his name on the roster, forcing Gogol to call out, before even being summoned, â€Å"That’s me,† teachers in the school system know not to give it a second thought. p. 66-67 ? â€Å"Gogol is old enough to know that there is no Ganguli here. He is old enough to know that he himself will be burned, not buried, that his body will occupy no plot of earth, that no stone in this country will bear his name beyond life. † p. 69 ? â€Å"For by now, he’s come to hate questions pertaining to his name, hates having constantly to explain. He hates having to tell people that it doesn’t mean anything in â€Å"in Indian. † p. 76 ? â€Å"His parents expect him to be, if not an engineer, then a doctor, a lawyer, an economist at the very least. p. 105 ? â€Å"Her appreciation for these details flatters him; it occurs to him that he has never spoken of his experiences in India to any American friend. † p. 112 ? â€Å"†¦That they had an arranged marriage, that his mother cooks Indian food everyday, that she wears saris and a bindi. † p. 138 ? †Å"He cannot imagine his parent’s sitting at Lydia and Gerald’s table, enjoying Lydia’s cooking, appreciating Gerald’s wine selection. He cannot imagine them contributing to one of their dinner party conversations.And yet here he is, night after night, a welcome addition to the Ratliff’s universe, doing just that. † p. 141 ? â€Å"—That they will not be able to touch or kiss each other in front of his parents, that there will be no wine with lunch. † p. 145 ? â€Å".. the lunch is set out, too rich for the weather. Along with the samosas, there are breaded chicken cutlets, chickpeas with tamarind sauce, lamb biryani, chutney made with tomatoes from the garden. It is a meal he knows it has taken his mother over a day to prepare, and yet the amount of effort embarrasses him. p. 148 ? â€Å"He is overly aware that they are not used to passing things around the table, or to chewing food with their mouths completely closed. They ave rt their eyes when Maxine accidentally leans over to run her hand through her hair. † p. 149 ? â€Å"One hand, five homes. A lifetime in a fist. † p. 167 ? â€Å"Remember that you and I made this journey, that we went together to a place where there was nowhere left to go. † p. 187 ? â€Å"When she was only five years old, she was asked by her relatives if she planned to get married in a red sari or a white gown. p. 213 ? â€Å"Aren’t you going to arrange a wedding for her? † p. 213 ? â€Å"He thinks of his parents, strangers until this moment, two people who had not spoken until after they were actually wed. Suddenly sitting next to Moushumi, he realizes what it means, and he is astonished by his parents’ courage, the obedience that must have been involved in doing such a thing. † p. 222 ? â€Å"†¦Waking up every morning with a pillow pressed over her head. † p. 229 ? â€Å"He admires her, even resents her a little, for having moved to another country and made a separate life.He realizes that this is what their parents had done in America. What he, in all likelihood, will never do. † p. 233 ? â€Å"It’s the one thing about her parents’ lives she truly admires—their ability, for better or for worse, to turn their backs on their homes. † p. 254 ? â€Å"Gogol has nothing to say to these people. He doesn’t care about their dissertation topics, or their dietary restrictions, or the color of their walls. † p. 237 ? â€Å"There’s no such thing as a perfect name. I think human beings should be allowed to name themselves when they turn eighteen,† he adds. â€Å"Until then, pronouns. † p. 245 ? This assurance is important to her; along with the Sanskrit vows she’d repeated at her wedding, she’d privately vowed that she’d never grow fully dependent on her husband, as her mother has. For even after thirty-two years abroad , in England and now in America, her mother does not know how to drive, does not have a job, does not know the difference between a checking and a savings account. † p. 247 ? â€Å"The mindlessness soothers her nerves. As a child, she always had a knack for organization; she would take it upon herself to neaten closets and drawers, not only her own, but her parents’ as well. p. 256 ? â€Å"You’re going to break hearts, you know. † p. 259 ? â€Å"She wonders if she is the only woman in her family ever to have betrayed her husband, to have been unfaithful. This is what upsets her most to admit: that the affair causes her to feel strangely at peace, the complication of it calming her, structuring her day. † p. 266 ? â€Å"Suddenly terrified, he ducks his head, feeling foolish afterword. None of the other pedestrians had reacted. † p. 272 ? â€Å"True to the meaning of her name, she will be without borders, without a home of her own, a resident everywhere and nowhere. † p. 276

Montana 1948 Practice Essay Essay

Topic: â€Å"At the heart of ‘Montana 1948’ is the conflict between loyalty to the family and duty to the community†. To what extent do you agree? In Larry Watson’s ‘Montana 1948’, there is an overwhelming conflict between loyalty to family and duty to the community. The Hayden family are very loyal to one another but this loyalty goes too far and causes conflict. In the Hayden family, there is a lack of duty to the community and this creates some small-town tension. When people attempt to be loyal to their family, they are unable to be loyal to the community as well, creating inner conflict. In the heart of ‘Montana 1948’ is the conflict between loyalty to family and duty to the community. Loyalty in the Hayden family nurtures the conflicts, as loyal decisions and actions go too far. The Haydens are very loyal to one another and Wesley and Julian (in particular), put their family first. After Frank committed his crimes of rape, David’s father â€Å"knew he was guilty†. Yet Wesley lets Frank get away with it, because they are brothers and in their eyes, family is the first priority. This loyalty creates conflict not just to the wider community, but to their own family as well. The relationship between Julian and Wesley is a frightening one at certain points in the novel. Julian â€Å"wanted, he needed, power†, and he gets this power from the authority he has over his child, Wesley (and the community itself). Julian is dismissive of Frank’s crimes and asserts his dismissive behaviour upon Wesley, influencing the decisions Wesley makes. As a result of Julian’s authority, combined with his intimidating nature and his ‘family first’ views, Wesley fails to make decisions of his own that aren’t affected by the pressures of other people. Wesley informs Gail that Frank will â€Å"have to meet his punishment in the hereafter†, and that he â€Å"won’t do anything to arrange it in this life†. He says these things because he is afraid of Julian. Loyalty in Hayden family creates conflict within the family itself. In the small community of Mercer County, Montana, there is a lack of duty to serve others, and this creates conflict. The lack of duty in the community on Wesley’s behalf is ultimately what kills Marie Little Soldier. (However that’s not to say that Frank’s actions had little to do with her death.) If Wesley’s actions and decisions were different, then Marie’s life could have been saved. Marie’s death creates conflict between the Haydens and the rest of the community, as the lies and deceptions behind her death remain mostly secret. People in power abuse those in the community that have little to none, preventing the less privileged to come forward and this creates tension. Duty to the Mercer County lacks the most in two ways. Firstly, there is prejudice towards the native Indians from a lot of people in town. And  secondly, there is an unjust procedure of law that Wesley carries out when handling his brother, Frank. Wesley is a prime example of a character that does not fulfil his duties to the community. Wesley â€Å"believed Indians, with only a few exceptions, were ignorant, lazy, superstitious, and irresponsible†. Wesley also says that Frank â€Å"didn’t want to be locked up in the jail†, and that he â€Å"would respect that†. The less the community is served by Wesley, the more the conflict builds between them. Duty to the community in Mercer County is lacking, causing tension to build. There is a conflict between the loyalty towards family and the loyalty towards the community, as the loyalty towards both of these groups, struggles to coexist. Wesley is in a tough situation where the choices he makes are vital. But, the decisions are often ones that will affect family in one way, and the community in another. In other words, when his choices make a positive impact on the community, they often have a negative effect on family (and vice versa). Wesley â€Å"believes that in this world people must pay for their crimes†, yet he is torn between justice and family when it comes to forming a resolution. There is conflict within Wesley himself as he battles with the difficult choices between serving the community, and being loyal to his family. If Wesley jails Frank, then he helps the community, but betrays family; and if Wesley lets Frank roam free, he helps his brother, but betrays the community. There is inner conflict residing in Wesley’s thoughts, as loyalty towards family and the loyalty towards the community fail to go hand-in-hand. Larry Watson’s ‘Montana 1948’ is a text that addresses the conflict between loyalty to family and duty to the community. Loyalty in the Hayden family goes further than it should and tension builds among their relationships. The Haydens are inadequate in their obligations to the community, stirring up tension between these two social groups. Loyalty to family can’t coexist with loyalty to the community, fostering the inner conflicts of certain individuals. In Mercer County, family and the community are two separate entities, and the dedications made to either of these groups prove cataclysmic, when loyalty goes too far.

Leadership Style Paper - 946 Words

Leadership Style Paper Susan May University of Phoenix Dr. Michael Snell HCS 475 May 2, 2011 Leadership Style Paper A leader is the foundation of the organization, the individual who represents the values, purposes, and direction of the organization. A leader is one who creates connections between members of an organization for the purpose of promoting increased performance and quality results (Sullivan amp; Decker, 2009). Leaders motivate, console, and work with people, to keep them bonded and eager to move forward (Stanley, 2006, pp. 33). The leader is an individual who has his or her own personal goals and want to show everyone what he or she has to offer others. These traits are needed to inspire the employee and make him or†¦show more content†¦According to Sullivan and Decker a leader influences others to accomplish the vision. A leader develops the ability to do backwards planning. The leader knows where he wants to go, so decides how long it will take and the process to arrive there. Effective leaders know and understand their organization and continue to ask how we can do things better (Sullivan amp; Decker, 2009). I compared myself in my Mary Kay business as a leader to John Force. I know they definitely do not compare as he is a very successful and admired leader by many people worldwide. I was surprised with completing the Leadership and Team Self-Assessment that I was as strong a leader as I am (Porter-O’Grady, T., amp; Malloch, K, 2007). I have worked in this organization for two and a half years and have made little of it. I have not been dedicated myself and recently have started building on my company. I do work with many women who are as successful or as superior a leader as John Force, but I am not there. According to the assessment I do have excellent team leadership skills as I work with a team and have helped many women succeed. I recently began building my own team and have found that I do have some great leadership qualities. I want to see others succeed who are working with me as done John Force. I believe I could go far in my business with the excellent team leadership s kills that I do possess as John Force as done. John Force never gives up no matter theShow MoreRelatedLeadership Styles Paper1158 Words   |  5 PagesLeadership Style Paper Michael Tafoya David Campbell University of Phoenix Two leadershipRead MoreReflection Paper On Leadership Style1610 Words   |  7 PagesThis paper is a reflection of my leadership style. In order to understand my leadership style, I need to understand the origins of leadership concept. This paper will take you back in history. We will discuss different leadership theories. Then we will conclude with a reflection of my own leadership style. History of Leadership The search for the characteristics or traits of a leader has been going on for centuries. 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